This guy, am I right?
I’ve never been a big Spider-Man reader, so my awareness of the character Herman “Shocker” Schultz–frequent Sinister Six member in reasonably good standing and a Spidey foe for pretty much as long as I’ve been alive–was dim at best before I read Superior Foes of Spider-Man. In that fantastic series, Herman makes a fateful decision that leads him and the other five members of the Six (if that doesn’t seem to add up, just read Superior Foes, dammit!) down a path that could spell doom for all of them. But in the end, out of everybody, it’s the Shocker (whose only superpower is the shock-resistant suit and vibration gauntlets he built in prison, because he’s actually kind of a genius even though he doesn’t know it) who pulls out a big win when he single-handedly takes down…well, why should I spoil it for you?
It was my childhood friend and brother from another mother Jeff Coleman who turned me on to Frank Miller’s Daredevil and Claremont and Byrne’s X-Men and Dave Sims’ Cerebus when they were the freshest things on the spinner rack, and thus inspired my lifelong dalliance with comics. He’s also the artist responsible for the 3D rendition of HandCannon that graces the top of this blog. He recently stumbled across a terrific piece of fan fiction that basically answers the question “what would The Villain’s Sidekick be like if I’d written it using licensed Marvel characters?”
Shocker: Legit, written entirely on spec, or for fun, by Max Landis (son of filmmaker John Landis, screenwriter of the found footage superhero flick Chronicle) concerns itself with what might happen if Herman Schultz were to grow weary of being a punching bag for metahuman crimebusters like Spider-Man and try his hand at doing the hero thing himself. He gets his first opportunity when he comes across the Hulk-ish Ravage running riot in downtown Manhattan and manages, through grit, determination, and some dumb luck, to take the monster down.
During this encounter, he gets an unexpected assist from Felicia “Black Cat” Hardy, who becomes his unlikely ally as they uncover a vast conspiracy involving a company called First Person Shooter that allows regular, high-paying citizens to operate mind-controlled supervillains and use them to wreak real-world havoc as if the actual death, destruction and carnage were all some kind of virtual reality game. And that’s just the tip of the conspiratorial iceberg. Meanwhile, Felicia becomes an even more unlikely love interest for the embattled Herman.
It’s not hard to see why (and for the record, I had to search far and wide to find an image of Black Cat that made her look like the badass she is in this story, rather than the hypersexualized fantasy figure she’s usually portrayed as). No sooner do they start investigating this dark conspiracy than they are the targets of not only the drone-operated super baddies, but mercenaries for hire like Bullseye and the Enforcers, and while Herman and his crew manage to beat the odds time and again, they are well-brutalized for their troubles–in addition to repeated nose-breakings, contusions, lacerations, stabbings and shootings, at one point Herman loses an ear. A fuckin’ ear!
The story’s not perfect. Considering it’s fan fiction, there’s an impression from the typos, occasional grammar mistakes and tense switches, and a few places where small but crucial bits of information seem to be missing, that you’re reading a first draft. And considering it’s unsolicited fan fiction, one can’t really fault Landis for not going back and fixing it all for our consumption. Plus, it compensates with a pretty ingenious story, a smorgasbord of well-placed Marvel character cameos, and an extremely likable, relatable take on its accidental protagonist.
I’m not exactly sure when Landis wrote it–my best guess is that it’s from sometime in the mid-oughts–but what struck me right away, from the first page, was how stylistically similar it is to Villain’s, Confessions of D-List Supervillain and other works in this subgenre (bad guy/henchman goes good) of a subgenre (superhero narrative fiction). Like my own book, it concerns a street-level goon with self-esteem and anger issues whose abilities are purely technological; it’s first person present tense, highly comedic without resorting to parody, and as loaded with heart as it is with violence and insanity. Especially touching, along with Herman and Felicia’s love affair, is his equally unexpected friendship with this guy:
Landis’ and Herman’s portrayal of Rhino is as a not-always-gentle giant with a heart of gold and the mind of a child. He’s simple, sweet-natured, capable of terrific destruction but loathe to hurt innocents or civilians even as their war heats up. Again, I haven’t read enough Spidey to know how accurate this portrayal really is, but it works well here, providing another sympathetic layer to Herman as he looks out for his big loyal lug of a buddy.
Along the way, Herman scores some more unlikely admirers and allies in a quest for truth that leads to some (emotionally as well as physically) uncomfortable places: Reed Richards and Tony Stark marvel at the genius of his prison-created suit and power gauntlets and begin to treat the low-level schemer as an intellectual equal…
…and after an extremely unpleasant initial encounter, he even earns the grudging admiration of this taciturn motherfucker…
More than anything, for fans of this kind of stuff, which I obviously am, Shocker: Legit is just one of those unexpected treasures the internet coughs up every now and again that hits right in the sweet spot. Well worth a read. And the price is unbeatable.